The day of the event, each performer is asked to submit, prior to the first round, an index-card-sized summary of types of performances and styles the performer would be willing to perform with little or no prior notice. This “resume” gives the performers a chance to display versatility as well as skill, and gives Their Majesties additional information as they consider their next bardic champions. Their Majesties will choose something from this list for the final round, so consider well what you may be called upon to perform!
Name (list relevant SCA info) what you do as a performer, and what you can do on command.
Romanus Gaius Cantus (SC, OTC, Troubadour) Roman-style boasts, filk on any topic to the tune of the Maltese Bransle or Greensleeves, good at extemporaneous speaking, can chant war-style marching songs in Latin. Excellent at theatre-style reading text I have not seen before.
Skihald the Viking (King’s Bard to John VIII, Troubadour, Order of the Maunche, Order of the Laurel) Perform and write Norse-styled poetry in English, tell skaldic tales from 4 to 10 minutes in length from hilarious to morose, excellent teller of jokes, intermediate juggler, have several magic tricks I have worked into period settings.
Ysibeau du Provance Period pieces in French for solo voice or recorder, Latin sacred music of the 12th century, improvisational harp. Can write small praise poems in French and English with some notice. Familiar with some music from most SCA periods, and SCA-appropriate songs. I am good at selecting music for different occasions.
Haven Fortnight (Bard to Baron of the Place) I know a handful of period pieces, but my strengths are really SCA-appropriate non-period songs composed by others (traditional, folk tradition, SCA-composers) or by myself. I also play guitar. I can write pieces on commission with some notice. I can play and stroll at the same time. I can write in rhyming verse on short notice on nearly any topic and present it.